“The Distressor was initially sold in 1995, and only one here, and one there, at first,” he recalls. Its function is to musically integrate frequencies and transients and increase the apparent volume of your source material in the same way classic analog equipment does. It's brilliant. A semi steep learning curve is involved but once mastered it is the go to on the kick, bass and drum buss. Is the tracking compressor on the FATSO most similar to the Distressor? Magazine and professional user reviews of all Empirical Labs hardware and software products. Before founding Empirical Labs, Derr was an engineer at Eventide, where he helped to make the H3000 Ultra-Harmonizer, a multi-effects unit that, incidentally, also became a mainstay in pro studios. > 2-What's the difference between the "El 8 Distressor" and "El-7FATSO"?? The COMPRESSOR is a junior version of the much-acclaimed Empirical Labs Distressor. 2. The FATSO EL7x from Empirical Labs is a digitally controlled analog processor that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. Kush Audio, in collaboration with Empirical Labs, has taken the original Fatso and adjusted the preset compression parameters (attack, release, ratio and knee) as well as the "saturation-to-compression relationship". Note: All textual, visual and aural references to the Distressor and the FATSO Jr (Empirical Labs’ products) and use of certain Empirical Labs’ trademarks are being made with written permission from Empirical Labs. Thye fatso is made for 'tape guys' to get happy uwith recording on PT, it has several styles of basic compression, that I think is 'your baby' The distressor is a very comprehensive mono compression unit, the Fatso is a stereo 'recording to digital aid' & compressor combined. ===== Here is a more detailed description of the differences between Fatso and Distressor: hide. You cannot adjust things like ratio, attack or release. First, to be a smart ass and use a Geoff Daking Joke... the difference is about $1000 dollars. By scooping out some of the high-end or even some of the high-mids, you can reduce the brittleness. In this video Zack does a shootout of the Hardware distressor vs the UAD plugin Distressor vs the Arouser plugin. I'm looking for something that will allow the kick to peak for longer. Dave Derr, whom I had the privilege to talk to for this article, is the creator of the Distressor. 2 comments. Someone we all know asked me to get on this thread and give my take on the differences between the FATSO AND DISTRESSOR. I see where Dave said that, yes, but I was not exactly sure if the General Purpose compressor got closer to the Distressor. I have both, would not sell either. Gregory Scott - ubk When you buy products through links across our site, we may earn an affiliate commission. A semi steep learning curve is involved but once mastered it is the go to on the kick, bass and drum buss. I'm not sure I even know how I would go about trying to make the Distressor do what the FATSO does setting-wise. It is difficult to describe exactly what it does but it does it well. It is difficult to describe exactly what it does but it does it well. First prototyped in 1994 and officially released in 1996, the Distressor was the first of several pieces of top-end studio gear to come out of Empi… i can't believe they are made by the same company. Where as the Distressor has more of everything (including attack and release)and you can turn off the distortion. Hope that's helpful--Ted Fatso pushes things back, blurs them out, & softens. The Fatso has less fixed ratio steps and you will always have some harmonic distortion engaged. Awhile ago I was contemplating whether to get the Fatso or a pair of Distressors. The FATSO does have a compressor based on DISTRESSOR TECHNOLOGY, AND it does offer two settings that you cannot get in the Distressor. I do not claim to be the worlds greatest but I get closer to it with the Fatso. If the U87 is a touch too harsh on someones voice, the warmth on the Fatso works wonders taming it. The Distortion on the distressor is a soft clip feature which can emphasize the 2nd harmonic if desired. I think they share the same line amp (speculation confoosed ). I went for the Fatso. “The initial reception was really not that thrilling! (I assume you mean boost the fundamental and cut some other areas), and EQ is part of the equation, but in my experience an EQ is totally not what I'm looking for. The Distressor is not. I have both too. But specifically, which will do a better job of making a LOUD, warm, fat kickdrum? Unfortunately, this usually results in the track sounding dark and muddy. Log in or sign up to leave a comment Log In Sign Up. For Gearshoot we generally aim to work with standardised compression ratios to allow as close as is practically possible (within realistic time etc constraints) comparisons for you. (I assume you mean boost the fundamental and cut some other areas), but in my experience an EQ is totally not what I'm looking for. If you could only nab 1 of these during this sale which would it be? the distressor is pretty much a must have over here...the Fatso would gather dust. The FATSO (Full Analog Tape Simulator and Optimizer) is a hardware device designed by Dave Derr’s Empirical Labs, makers of the highly popular Distressor compressor. There are plenty more usage scenarios for the UBK FATSO that I could describe, but I’ll end the review here by reiterating that I love the original Empirical Labs FATSO Jr for the analog magic it adds to all my recordings. Large Distressor-style knobs control the input and output levels. At the time I emailed Empirical Labs about the differences between the two and this is the answer I got: I have both and consider the fatso a gentle levelar with some tone options with the warmth and tranny, the distressor is more of a sound sculptor where you can really sculpt the transient of a signal and add a little subtle color if you wish. The Fatso Jr., which does a terrific job of emulating analog tape and the saturation of it, includes several fixed compressors set ups. Distressor is infinitely more flexible with compression. More about the Arousor and UAD Empirical Labs plug-ins. The warmth in the FATSO is a dynamic filter which works only on the high frequencies. There are a zillion saturation plugs that can do what the fatso does...there are NO plugs that can do what the distress or does....and the distressor is Very versatile and very useful for tracking and mixing...the fatso is all hype in my opinion. Its a Distressor that mated with a 2 inch tape machine. Retro Sta-Level, CL1b, MC77, Distressor EL8 - processed files, Major Compressor Plugin From Empirical Labs - AROUSOR. I already have a distressor with british mod, and I know it's a more versatile compressor. In my experience, prior to the UBK mod it was a great tracking tool to smooth everything out and make it easier to mix. IMO the FATSO is about subtlety. have not found that on the Distressor. It also offers Distressor-type compressors, but without the level of control the Distressor offers. Close. is the fatso jr. using the same compressor/technology as the distressor, but with more features? Many folks chase their tail wanting all things out of one unit. From those early days on, Empirical Labs has been bombarded with requests for a great compressor plugin for those working in the box… and it had to be one with the creamy sound and ease-of-use of our own award winning hardware compressors. My prediction is Fatso here.. I do not claim to be the worlds greatest but I get closer to it with the Fatso. The Distressor is a dedicated compressor with full control over attack and decay, plus some soft clipping options. If you need a fully controllable compressor, that sounds like it has tubes and can emulate some famous older compressors, get the Distressor. 2nd the love for the trannies........ adds weight to the gtr buss......and the warmth circuit for when theres a little too much bite....... or if you need more bite just add spank to whatever you already have going.....I LOVE THIS BOX......very versatile......best buy of 2005. The world famous digitally controlled, analog knee compressor by Empirical Labs. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels. Distressor vs 1176 Rev F. Distressor vs Arousor vs 1176 Rev F (Harmonic Distortion %) Extra note re our tests between the Distressor and the Arousor. The Fatso is stereo and Distressor is mono. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. 100% Upvoted. Distressor pulls things forward, brings them into focus, and adds bite. Versatile, super fast, and offering tons of color, the Distressor picks up where the legendary UA 1176 and Teletronix LA-2A compressors leave off — a modern tool that’s equal parts utilitarian and creative, as heard on thousands of hit records. That’s why I have ten channels of FATSO, and my … Unlike the Distressor, the Fatso has two separate channels with a stereo link function so is ready for duties on the Stereo Mix Bus Re UBK Fatso “I wholeheartedly recommend the UBK FATSO, whether as (your) first dynamics processor or as the tenth. Distressor can be tweaked in terms of attack/release/ratio whereas the Fatso has no option to mess with those. Thanks. The buss comp (not 2 buss but their light comp) setting is money. If you do a lot of work in the digital domain and miss some of the smooth round bottom and softened high end of analog tape recordings, get the FATSO Jr. The FATSO does have a compressor based on DISTRESSOR TECHNOLOGY, AND it does offer two settings that you cannot get in the Distressor. The UBK Fatso comes with the original unit's manual and a guide to what's new in the Kush Audio version, making it clear that the differences are not operational but behavioural. Distressor or FATSO. I'm not sure I would use the Distressor to do what the FATSO can do. The film examines the subject matter of … Distressor or FATSO. After 20 years, Empirical Labs finally entered the audio software plug-in industry with the Arousor. Fatso is infinitely more flexible with coloration and texturization. I have the UBK Fatso and 2 distressors and here's my take: Sure, the FATSO is going to have less controls with compression characteristics, but when using the UAD Sr. version of it (more compression controls), how is that going to make that huge of a difference versus the Distressor? It’s been well over 20 years since Empirical Labs released its first compressor, the Distressor. They're not in the least bit interchangeable, at least not to my ears. The FATSO does have a compressor based on DISTRESSOR TECHNOLOGY, AND it does offer two settings that you cannot get in the Distressor. I need to know how much of a fatso's character do I already have in the Distressor (with the right settings?). Sort by. Plus I am not looking to alter the frequency relationship so much. two completely different … Fatso is a 1980 American comedy-drama film written and directed by Anne Bancroft, her only such credit, and starring Dom DeLuise, Ron Carey and Candice Azzara.It was the first film produced by Mel Brooks's Brooksfilms company. save. How good is the Fatso suited for tracking purposes? Posted by 2 hours ago. The Fatso offers harmonic generation as well, but also adds soft clipping, high-frequency saturation, and transformer and tape head emulation. brad gets the award for "nail on head" today for me. In 1996, we got lucky when George Peterson pushed for a review in Mix Magazine, one of the most important music publications of the day, and the Distressor sales slowly started to climb. Introduced in 1993, the Empirical Labs EL8 Distressor is revered in studios all over the world as the modern, “must-have” compressor. One there, at first, ” he recalls the audio software plug-in with... 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